Nadav Bin-Nun's works take place in the space between experimental cinema and video art. They are exceptional, irreverent, and fresh and engage with different subjects such as sexual identity, parents-children relations, national history, psychoanalysis, to current events. His films are like collages of sorts, oscillating between profound earnestness and amusement and playfulness; in his works, horror, emasculation, humor, and melancholy populate an unstable world that has no boundaries. The notion of home in his videos includes a myriad of meanings and weaves a dialogue with cinematic language and its inherent cultural myths. At the same time he renders the human need to cling to a narrative redundant and allows the viewer to give himself to fiction, fantasy, and perversion.