Exhibitions
Fishermen and Fish | Fishing Culture in Artifacts from the Haifa Museums Collections
This exhibition invites viewers to observe the environment of fishing villages, blending with the shore and the marine landscape, and to take a quick glance at the narrow streets of markets filled with fresh fish. It also introduces works depicting the world of fishermen peacefully engaged in their craft, as well as the dedication of fishermen anchored in shipyards or venturing out into the vast sea. Viewers are invited to explore different fishing experiences—whether calm, dynamic, or stormy—and to face the challenges posed by nature along with the fishermen. Other works focus on the diversity of types of fish. Finally, upon returning to the shore, one can encounter marine gatherers at work and fishermen focusing on the meticulous task of mending nets, allowing for an inward, meditative experience.
The Wave Effect - From a Japanese to Global Icon
The concept of this exhibition touches on the three elements that make up the Great Wave -- wave, boats, and Mount Fuji. These elements are represented here in the works of Japanese and Israeli artists and are translated into the language of the period in which they were created. The element of the wave is examined through works in which it is a stylized force of nature, an ethereal boundary line, a metaphor for social isolation, and a representation of existential anxiety; not necessarily anxiety related to natural disasters. The element of boats between the waves is associated with works about war in Japanese art and with works dealing with personal and national assimilation in Israeli art. The element of the mountain appears in traditional Japanese works that emphasize different perspectives of the mountain, alongside Israeli artworks which express the attraction to the mountain. The exhibition also gives space to young artists who respond to the work using diverse visual means and in defiant and different ways.
The Space For Community Art: Gevere Ribka | Belay
The works in the exhibition record male figures who have struggled for decades with an unabated will to adjust to a new place. Ribka chose to document them here, understanding that they have built a place that allows them to work at something they are good at, a place where they are able to create something new and reap the fruits of their success.
Through the Creek I Saw the World | Odin Shadmi
A dystopian vision appeared to Odin Shadmi's mind after working in the hi-tech industry. In her vision, our world is at a critical junction in time: progress, in which we've invested such a huge effort, overtakes us, leaving behind nothing but small traces of authentic nature. Following a dichotomous life experience, moving between the world of hi-tech and progress and a connection to nature, Shadmi decided to act.
Africa Calling: The African Collection Revealed
Now at the museum
The Museum's collection of African ethnographic artifacts, which has remained hidden from public view for 30 years, includes approximately 1,000 pieces, donated by avid collectors and dedicated donors from around the world, who have intensely explored specific cultures and regions of Africa. These works were once exhibited at the Haifa Museum of Ethnology, founded in the early 1950s and active on Arlozorov Street until 1995. In unveiling these works again, "Africa Calling" calls on its viewers to immerse themselves in the diverse and vibrant cultures of Africa.
Desktop: A Physical Exhibition about a Digital Era
Now at the museum
For the exhibition, the Museum invited artists to create new works, exploring how digital thinking, concepts, and tools take on substance in the physical world, shaping artistic practice and material expression. Their works delve into what happens when digital aesthetics encounter physical limitations—people, matter, and unpredictability—and what it means when technology becomes an integral part of our bodies and identities.
At Home: Dwelling of Loves and Anxieties
Our home, and the objects in it, tell stories: in the kitchen cupboard there is a partial set of dishes, some broke during a move; in the living room there is a worn sofa, which has taken the shape of the body due to overuse; on the wall behind it are pictures of smiling relatives, some still alive, others no longer. Our favorite people and things are usually found in our living environment, and a representation of the interior shows everything that we love and fear for.
Sussita
The Israeli motorcar industry became entwined with Israel’s life-story from the day the State was born.
The riveting narrative of the industry’s establishment in Haifa gives a glimpse of a vision: to make Israel a part of the international automobile scene. Its car factories, and especially the Autocars Company that assembled the familiar Sussita car, constitute a notable chapter in the first three decades of statehood.
Piranesi: Views of Rome
Giovanni Battista Piranesi was active in Rome in the mid-18th century, at a time when the city attracted intellectuals from all over Europe who gathered against the backdrop of its celebrated centuries-old buildings. In his time, Rome was one of the major centers of the Enlightenment: a mandatory destination on the Grand Tour undertaken by members of the aristocracy to explore the cultural capitals of Europe, and a focal point for the study of classical culture for artists and intellectuals. Piranesi created countless etchings in Rome featuring the city's sights, making a name for himself throughout Europe. The Haifa Museum of Art collection is blessed with a considerable selection of these etchings.
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