Exhibitions
Netsuke exhibition
The netsuke was originally a decorated accessory on a cord which attached various implements to clothing. It fulfilled an important function as the kimono, the traditional Japanese robe, had no pockets. Instead it was fastened by means of a broad sash tied around the hips on which various
Pillar Prints
Hashira-e (“pillar pictures”) are woodblock prints with specific measurements. The source of these long, narrow prints and the exact dates of their provenance are not known, but it seems that they were integrated into the hanging scrolls that were traditionally used to decorate the interior supporting beams of the Japanese house.
Battle Kites from Japan
Created by artists Endo Hiromi and Kazama Masao
A new kite exhibition for families!
40 new and spectacular kites decorated with mythical fighters, historical and mythological figures, Kabuki theater actors and more are presented at the exhibition.
To Collect Haifa
From the collection of Dr. Yermiyahu (Yeri) and Shoshana Rimon
The collections of Dr. Yirmiyahu Rimon (born in Haifa, 1933-2018), constituting one of the largest and most important private collections on the history of Palestine and Zionism, are the product of decades of enthusiastic and diligent collectorship. They bring to mind Walter Benjamin's definition, in an essay on collecting (in The Flaneur), of the collector as a courageous rebel, collecting objects not for their utilitarian value but rather according to their beauty and the memories they evoke.
Everyday souvenirs
This exhibition was created following the acquisition of the Rimon Collection by the Haifa Museums – a step that introduced a large private collection into the museum space. The exhibition addresses the tension between the "private collection" and the "museum collection" in the diverse
Back to Wonder
With reference to such "Cabinets of Wonder" and to the artistic-curatorial discourse that has developed in recent decades in Israel and abroad, we sought to examine the inventory of the Haifa Museums' storage rooms with a fresh gaze. We searched out the wonderful, the exotic, the amusing. In the exhibition hall we stacked objects and works arbitrarily – lacking any "class-based" hierarchy, with no commitment to chronological-historical organization or to the representation of a meta-narrative.
Chana Orloff: Feminist Sculpture in Israel
The Mané-Katz Museum in Haifa is proud to present a selection from the works of artist Chana Orloff (1888-1968), an early proponent of a personal, revolutionary approach to the female body, alongside works of contemporary art that seek to explore conventional boundaries in depictions of the female body with regard to collective space.
The Lod Mosaic
A routine archaeological inspection carried out in 1996 in Hahalutz Street in Lod (ancient Lydda) and the subsequent rescue excavations carried by Miriam Avisar on behalf of Israel Antiquities Authority (IAA), uncovered one of the largest and most impressive mosaics ever found in Israel.
Berlin, City of Lights: Between the Two World Wars
Germany of the 1920s witnessed the birth of a new artistic movement, called "Neue Sachlichkeit" or "New Objectivity." The present exhibition addresses this movement's significant impact on the Jewish-German artists who immigrated to Palestine in those years, and its partial affinity with the work of Hermann Struck.
Sunday, 24.12.17
On Thursdays and Fridays the entrance to the new exhibition is only 20₪.
Shahar Marcus: Self Print
Shahar Marcus is a performance artist focusing on video and performance works. In this exhibition he presents video works made in recent years, alongside prints based on frames taken from those works.
Sunday, 24.12.17
On Thursdays and Fridays the entrance to the new exhibition is only 20₪.
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